![](https://i1.wp.com/goldendean.com/wp-content/uploads/2019/03/Crucible_Nadine-Hutton_05-1024x683.jpg)
![](https://i1.wp.com/goldendean.com/wp-content/uploads/2019/03/Crucible_Nadine-Hutton_01-1024x683.jpg)
![](https://i2.wp.com/goldendean.com/wp-content/uploads/2019/03/Crucible_Nadine-Hutton_04-1024x683.jpg)
![](https://i0.wp.com/goldendean.com/wp-content/uploads/2019/03/Crucible_Nadine-Hutton_03-1024x663.jpg)
![](https://i1.wp.com/goldendean.com/wp-content/uploads/2019/03/crucible-768x1024.jpg)
![](https://i0.wp.com/goldendean.com/wp-content/uploads/2019/03/crucible2-768x1024.jpg)
First presented at the Bag Factory, and then Newtown’s Mary Fitzgerald Square Alex Dodd writes of The Crucible in the Art Times: “The viewer must crouch down and enter through razor wire portals into the smoke- lled interior surrounded by a crucible of projected ames blazing around a small altar on which lies a South African ID book. It’s the closest I’ve come to experiencing what it must have felt like to be a victim of one of the violent attacks on foreigners. Better than reading so many life-sapping newspaper reports… ”